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                                            <image:caption> \Bauer, Friedrich. &lt;i&gt;Das Giessinstrument des Schriftgiessers&lt;/i&gt;. Hamburg und München, Schriftgiesserei Aktiengesellschaft Genzsch &amp;#x26; Heyse, 1922.&lt;br /&gt;
&lt;a href=&quot;https://www.circuitousroot.com/artifice/letters/press/hand-casting/literature/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption> \Bauer, Friedrich. &lt;i&gt;Das Giessinstrument des Schriftgiessers&lt;/i&gt;. Hamburg und München, Schriftgiesserei Aktiengesellschaft Genzsch &amp;#x26; Heyse, 1922.&lt;br /&gt;
&lt;a href=&quot;https://www.circuitousroot.com/artifice/letters/press/hand-casting/literature/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>De Vinne, Theodore Low. &lt;i&gt;Punch and Matrix&lt;/i&gt;. 1876.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/File:De_Vinne_1876_-_Punch_and_matrix.jpg&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Koch, Rudolf Koch, and Fritz Kredel. “On Punch Cutting &amp;#x26; Wood Cutting.” &lt;i&gt;The Colophon&lt;/i&gt; [original series], pt. 10, 1932, unpaginated.&lt;br /&gt;
&lt;a href=&quot;https://circuitousroot.com/artifice/letters/press/typemaking/literature/punchcutting/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Koch, Rudolf Koch, and Fritz Kredel. “On Punch Cutting &amp;#x26; Wood Cutting.” &lt;i&gt;The Colophon&lt;/i&gt; [original series], pt. 10, 1932, unpaginated.&lt;br /&gt;




&lt;a href=&quot;https://circuitousroot.com/artifice/letters/press/typemaking/literature/punchcutting/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Matrixcase, Bembo, 16 pts&lt;/i&gt;. &lt;i&gt;Wikipedia, &lt;/i&gt;&lt;span style=&quot;margin: 0px; padding: 0px;&quot;&gt;&lt;em&gt;the free encyclopedia. &lt;/em&gt;(n.d.)&lt;/span&gt;.&lt;br /&gt;
&lt;a href=&quot;https://nl.wikipedia.org/wiki/Bestand:Matrixcase-bembo-16pts.jpg&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Brown, J. Dakota. “Typography, Automation, and the Division of Labor: A Brief History.” 2019.&lt;br /&gt;
&lt;a href=&quot;https://otherforms.net/product/typography-automation-and-the-division-of-labor-a-brief-history/&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>&lt;i&gt;The Second Wave&lt;/i&gt;. Vol. 5, no. 3, Oct. 1979, Atlanta Lesbian Feminist Alliance, Atlanta, GA.&lt;a href=&quot;https://archive.org/details/secondwavereader0000unse&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;&lt;br /&gt;
SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>Bernstein, Charles. &lt;i&gt;Close Listening: Poetry and the Performed Word&lt;/i&gt;. Oxford University Press, 1998.&lt;br /&gt;
&lt;a href=&quot;https://www.scribd.com/doc/295285652/Charles-Bernstein-Close-Listening&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>&lt;i&gt;The Chicago Manual of Style&lt;/i&gt;. 17th ed., University of Chicago Press, 2017.&lt;br /&gt;
&lt;a href=&quot;https://www.chicagomanualofstyle.org/home.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>Hochuli, Jost. &lt;i&gt;Detail in Typography&lt;/i&gt;. Hyphen Press, 2008.&lt;br /&gt;
&lt;a href=&quot;https://jarrettfuller.com/Graphic-Design-Readings/PDF/hochuli-Jost-H-Detail-in-Typography%20scribd%20-%2064-page.pdf&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>Weiner, Hannah. &lt;i&gt;Clairvoyant Journal&lt;/i&gt;. 1974.&lt;br /&gt;
&lt;a href=&quot;https://eclipsearchive.org/projects/CLAIRVOYANT/html/pictures/018.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Cage, John. &lt;i&gt;Silence: Lectures and Writings&lt;/i&gt;. Wesleyan University Press, 1973.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/silencelecturesw1961cage/page/156/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Cage, John. &lt;i&gt;Silence: Lectures and Writings&lt;/i&gt;. Wesleyan University Press, 1973.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/silencelecturesw1961cage/page/156/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;
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                                            <image:caption>Brodine, Karen. &lt;i&gt;Work Week&lt;/i&gt;. Berkeley, Calif., Kelsey St. Press, 1977.&lt;br /&gt;
&lt;a href=&quot;https://www.kelseystreetpress.org/product-page/work-week&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Brodine, Karen. &lt;i&gt;Woman Sitting at the Machine, Thinking and Censorship&lt;/i&gt;. Edited by Isabelle Sully, Publication Studio, 2012&lt;br /&gt;
&lt;a href=&quot;https://publicationstudio.biz/books/karen-brodine-woman-sitting-at-the-machine-thinking-and-censorship/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;





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                                            <image:caption>Brodine, Karen. &lt;i&gt;Woman Sitting at the Machine, Thinking and Censorship&lt;/i&gt;. Edited by Isabelle Sully, Publication Studio, 2012&lt;br /&gt;
&lt;a href=&quot;https://publicationstudio.biz/books/karen-brodine-woman-sitting-at-the-machine-thinking-and-censorship/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>`, Mirtha. &lt;i&gt;To Be Read&lt;/i&gt;. 1972.&lt;br /&gt;
&lt;a href=&quot;https://post.moma.org/on-language-and-its-limits-the-illegible-writings-of-mirtha-dermisache/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Dotremont, Christian. &lt;i&gt;Ou vas-tu, Lapon&lt;/i&gt;. 1970.&lt;br /&gt;
&lt;a href=&quot;https://palaceoftypographicmasonry.nl/sign/the-asemic-cabinet/collection/christian-dotremont/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Serafini, Luigi. &lt;i&gt;Codex Seraphinianus&lt;/i&gt;. Franco Maria Ricci Editore, 1981.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/codex-seraphinianus-luigi-serafini/page/n210/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Blake, William. &lt;i&gt;The Notebook of William Blake: A Photographic and Typographic Facsimile&lt;/i&gt;. Edited by David V. Erdman, Readex Books, 1973.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Notebook_of_William_Blake&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Blake, William. &lt;i&gt;The Notebook of William Blake: A Photographic and Typographic Facsimile&lt;/i&gt;. Edited by David V. Erdman, Readex Books, 1973.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Notebook_of_William_Blake&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Blake, William. &lt;i&gt;The Notebook of William Blake: A Photographic and Typographic Facsimile&lt;/i&gt;. Edited by David V. Erdman, Readex Books, 1973.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Notebook_of_William_Blake&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Cage, John. &lt;i&gt;Fontana Mix&lt;/i&gt;. 1958. Musical score. &lt;i&gt;BBC Radio 3&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.smithsonianmag.com/arts-culture/5-12-examples-of-experimental-music-notation-92223646/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Cardew, Cornelius. &lt;i&gt;Treatise&lt;/i&gt;. 1967. Performed by the KYMATIC Ensemble.&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?app=desktop&amp;v=b0V9_xqaw8Q&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Stepanov, Vladimir Ivanovich. &lt;i&gt;Alphabet des mouvements du corps humain&lt;/i&gt;. 1892. &lt;i&gt;Encyclopædia Britannica&lt;/i&gt;, Encyclopædia Britannica.&lt;br /&gt;
&lt;a href=&quot;https://www.britannica.com/art/dance-notation#/media/1/150794/71980&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Topor, Roland. &lt;i&gt;Title page from&lt;/i&gt; &lt;i&gt;Souvenirs&lt;/i&gt;. De Harmonie, n.d. Reproduced in Onnen, Serge, &lt;i&gt;Drawings on Writing&lt;/i&gt;, JL Books, 2008.&lt;br /&gt;
&lt;a href=&quot;https://www.drawingsonwriting.org/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Onnen, Serge. “100% Text, 99% Illegible.” Sticker on a package. &lt;i&gt;Drawings on Writing&lt;/i&gt;. JL Books, 2008, New York.&lt;br /&gt;
&lt;a href=&quot;https://www.drawingsonwriting.org/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>Palmer, Zela Odessa. &lt;i&gt;Poetry Is Not a Luxury&lt;/i&gt;. 2022, embroidery on cotton, 30 × 20 cm. &lt;i&gt;The Grey Space in the Middle&lt;/i&gt;, The Hague, Netherlands.&lt;br /&gt;
&lt;a href=&quot;https://www.zelaodessapalmer.com/poetry&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>&lt;i&gt;Science Writing and Notation System&lt;/i&gt;. n.d.&lt;br /&gt;
&lt;a href=&quot;https://rahulanand.org/scientific-notation-explained-a-comprehensive-guide/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Debug&lt;/i&gt;. 2010. &lt;i&gt;EDHV Design Lab. &lt;br /&gt;
&lt;/i&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.edhv.nl/design-lab/projects/debug/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;



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                                            <image:caption>Leonardi, Cesare. &lt;i&gt;Solids&lt;/i&gt;. 1983, wood board system. &lt;i&gt;Archivio Leonardi&lt;/i&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.archivioleonardi.it/eng-solids&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2733301108211564851855284137105/Screenshot-2025-04-27-at-16.24.31-10018.png</image:loc>
                                            <image:caption>Lorenz, Martin. &lt;i&gt;Flexible Visual Systems: The Design Manual for Contemporary Visual Identities&lt;/i&gt;. Slanted Publishers, 2021.&lt;br /&gt;
&lt;a href=&quot;https://flexiblevisualsystems.info/publications/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2733307267929899200875050200209/Screenshot-2025-04-26-at-20.34.55-8096.png</image:loc>
                                            <image:caption>Xavier, Hieronymus, Soc. Jesu. &lt;i&gt;Historia Christi Persice conscripta, simulque multis modis contaminata&lt;/i&gt;. Latine reddita &amp;#x26; animadversionibus notata a Ludovico de Dieu. Lugduni Batavorum: Ex officina Elseviriana, 1639. &lt;i&gt;Internet Archive&lt;br /&gt;
&lt;/i&gt;&lt;a href=&quot;https://archive.org/details/ned-kbn-all-00003328-001/page/10/mode/2up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/J2733309875543194716383557086353/1526_sci-0021-signatue2-8162.jpg</image:loc>
                                            <image:caption>Muhammad ibn Mahmud ibn ‘Ali al-Tabari al-Asturlabi. &lt;i&gt;Celestial Globe&lt;/i&gt;. 684 AH (1285–86 AD), brass incised and inlaid with silver, 13.4 cm diameter. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-celestial-globe-sci21/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/V2733310910423983995563112295569/1523_mss-0358-173b-detail-8196.jpg</image:loc>
                                            <image:caption>al-Marrakushi. &lt;i&gt;The Jāmiʿ al-Mabādiʾ wa-l-Ghayāt&lt;/i&gt;. 1070 AH (1659–60 AD). Manuscript. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-the-jami-al-mabadi-wal-ghayat-of-al-marrakushi-mss358/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>al-Marrakushi. &lt;i&gt;The Jāmiʿ al-Mabādiʾ wa-l-Ghayāt&lt;/i&gt;. 1070 AH (1659–60 AD). Manuscript. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-the-jami-al-mabadi-wal-ghayat-of-al-marrakushi-mss358/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Calligraphic Panel&lt;/i&gt;. 19th century. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;



&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-calligraphic-panel-cal178/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/Y2733320352113236962691463670929/5-muteferrika-matbaasinda-basilan-fuyuzat-i-miknatisiyye-8650.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Fuyūżāt al-Mıknāṭīsiyya&lt;/i&gt;. Müteferrika Printing House, 1731.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2733320875724067494937086291089/3-muteferrika-matbaasinda-basilan-cihannuma-8651.jpg</image:loc>
                                            <image:caption>Çelebi, Kâtip. &lt;i&gt;Cihannüma&lt;/i&gt;. Müteferrika Printing House, 1732.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2733321739695772931197645778065/9-muteferrika-matbaasinda-basilan-gulsen-i-hulefa-8668.jpg</image:loc>
                                            <image:caption>Nazmizade Murtaza. &lt;i&gt;Gülşen-i Hulefâ&lt;/i&gt;. Müteferrika Printing House, 1730.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2733321895386292913306261417105/6-muteferrika-matbaasinda-basilan-rasid-tarihi-8679.jpg</image:loc>
                                            <image:caption>Raşid Efendi, Mehmed. &lt;i&gt;Tarih-i Raşid&lt;/i&gt;. Müteferrika Printing House, 1741.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/R2733323003279295236228221922449/21-uskudar-matbaasinda-basilan-usul-i-hendese-ve-musellesat-8678.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Usul al-Handasa and Muthallathat&lt;/i&gt;. Üsküdar Publishing House, 19th century.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/X2733323815065161687964459887761/20-uskudar-matbaasinda-basilan-feraidul-fevaid-fi-beyanil-akaid-amentu-serhi-8677.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Farāʾiḍ al-Fawāʾid fī Bayān al-ʿAqāʾid (Āmentü Şerhi).&lt;/i&gt; Üsküdar Publishing House, 19th century.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/M2733324685013612204106914098321/Bodleian-Library-MS-Huntington-212_00007_1r_reduced-8428.jpg</image:loc>
                                            <image:caption>al-Ṣūfī, ʿAbd al-Raḥmān. &lt;i&gt;Kitāb Ṣuwar al-Kawākib al-Thābitah&lt;/i&gt;. 1170. MS. Huntington 212, fol. 1r, detail.&lt;br /&gt;
&lt;a href=&quot;https://blogs.bodleian.ox.ac.uk/archivesandmanuscripts/tag/al-sufi/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/X2733325407461897106867793587345/Bodleian-Library-MS-Huntington-212_00306_150v_reduced-8436.jpg</image:loc>
                                            <image:caption>al-Ṣūfī, ʿAbd al-Raḥmān. &lt;i&gt;Kitāb Ṣuwar al-Kawākib al-Thābitah&lt;/i&gt;. MS. Marsh 144, Bodleian Library, Oxford.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/Category:Kit%C4%81b_%E1%B9%A2uwar_al-kaw%C4%81kib_(al-th%C4%81bitah)_(Bodleian_Library_MS._Marsh_144)&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Ikhwān al-Ṣafāʾ. &lt;i&gt;Rasāʾil&lt;/i&gt;. 1560. Bodleian Libraries, University of Oxford. &lt;i&gt;Digital Bodleian&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://digital.bodleian.ox.ac.uk/objects/12fcf5c5-2bb0-4e0e-b8a9-7620bd6bec90/surfaces/6c5f1ed7-7099-4be2-a34d-01a050874a45/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2733330884632253984560440306833/Bodleian-Library-MS-Laud-Or-260_00026_fol-11b_reduced-8462.jpg</image:loc>
                                            <image:caption>Ikhwān al-Ṣafāʾ. &lt;i&gt;Rasāʾil&lt;/i&gt;. 1560. Bodleian Libraries, University of Oxford. &lt;i&gt;Digital Bodleian&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://digital.bodleian.ox.ac.uk/objects/12fcf5c5-2bb0-4e0e-b8a9-7620bd6bec90/surfaces/1991d7e8-1804-4eed-af72-40d338fa94f0/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2733332122519461794913611050129/Screen-Shot-2017-10-01-at-10.10.28-AM-1-8538.png</image:loc>
                                            <image:caption>&lt;i&gt;Kitāb fī al-Imtināʿ ʿan Shurb al-Muskirāt [A Book on Temperance].&lt;/i&gt; American Mission Press, 1838. &lt;i&gt;Printing History&lt;/i&gt;.&lt;br /&gt;



&lt;a href=&quot;https://printinghistory.org/challenges-of-early-arabic-printing/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2733333035928441348715768867985/https___www.khalilicollections.org_wp-content_uploads_2023_09_596_mss-0568-74b-75a-8577.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Kitāb al-Hādī al-Muḥammadī fī al-Ṭibb al-Nabawī (A Treatise on Prophetic Medicine).&lt;/i&gt; 21 Shawwāl 926 AH (4 Oct. 1520). Manuscript. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-kitab-al-hadi-al-muhammadi-fil-tibbal-al-nabawi-mss568/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/K2733367526303898053454583196817/image-12057.jpeg</image:loc>
                                            <image:caption>Helmont, Franciscus Mercurius van. &lt;i&gt;Alphabeti verè naturalis Hebraici brevissima delineatio&lt;/i&gt;. 1667.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/alphabetiverenat00helm/page/n87/mode/2up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2733368206675159724083975449745/Screenshot-2025-05-04-at-10.18.24-12069.png</image:loc>
                                            <image:caption>Helmont, Franciscus Mercurius van. &lt;i&gt;Alphabeti verè naturalis Hebraici brevissima delineatio&lt;/i&gt;. 1667.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/alphabetiverenat00helm/page/n104/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2733369584167326684271032822929/Screenshot-2025-05-04-at-10.20.19-12077.png</image:loc>
                                            <image:caption>Wilkins, John. &lt;i&gt;An Essay towards a Real Character and a Philosophical Language&lt;/i&gt;. 1668.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1641-1700_an-essay-towards-a-real-_wilkins-john_1668/page/26/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2733370382044348104430268869777/Screenshot-2025-05-04-at-10.20.30-12078.png</image:loc>
                                            <image:caption>Wilkins, John. &lt;i&gt;An Essay towards a Real Character and a Philosophical Language&lt;/i&gt;. 1668.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1641-1700_an-essay-towards-a-real-_wilkins-john_1668/page/26/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2733372012718077476280922172561/Screenshot-2025-05-04-at-10.34.44-12127.png</image:loc>
                                            <image:caption>Bell, Alexander. &lt;i&gt;Visible Speech: The Science of Universal Alphabets; or, Self-Interpreting Physiological Letters&lt;/i&gt;. 1867.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/b21782520/page/n154/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Schwitters, Kurt. &lt;i&gt;Ursonate&lt;/i&gt;. 1932. &lt;i&gt;MedienKunstNetz&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;http://www.medienkunstnetz.de/works/ursonate/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2733374679526974724323380194449/schwitters-ursonate-en-12167.jpg</image:loc>
                                            <image:caption>Schwitters, Kurt. &lt;i&gt;Ursonate&lt;/i&gt;. 1932.&lt;br /&gt;



&lt;a href=&quot;https://www.youtube.com/watch?v=1qLKu3R8no4&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Steele, Joshua. &lt;i&gt;Prosodia Rationalis: Or, An Essay Towards Establishing the Melody and Measure of Speech, to Be Expressed and Perpetuated by Peculiar Symbols&lt;/i&gt;. 1779.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/essaytowardsesta00stee/page/160/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2733376474782554721810653015185/Screenshot-2025-05-04-at-10.53.00-12190.png</image:loc>
                                            <image:caption>Steele, Joshua. &lt;i&gt;Prosodia Rationalis: Or, An Essay Towards Establishing the Melody and Measure of Speech, to Be Expressed and Perpetuated by Peculiar Symbols&lt;/i&gt;. 1779.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/essaytowardsesta00stee/page/138/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/X2733377513352692815732118547601/Ruth-wolf-rehfeldt-figuration-collagiert-10038.jpg</image:loc>
                                            <image:caption>Wolf-Rehfeldt, Ruth. &lt;i&gt;Figuration collagiert (Figuration Collaged).&lt;/i&gt; 1980s, collage on letterpress.&lt;br /&gt;



&lt;a href=&quot;https://www.frieze.com/article/ruth-wolf-rehfeldt-like-a-spider-in-a-web-2023-review&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/N2733377888670147739426655726737/RWR-Divided-Planet-1970s-10051.jpg</image:loc>
                                            <image:caption>Wolf-Rehfeldt, Ruth. &lt;i&gt;Divided Planet&lt;/i&gt;. 1970s, typewriting, carbon copy.&lt;br /&gt;
&lt;a href=&quot;https://www.frieze.com/article/ruth-wolf-rehfeldt-like-a-spider-in-a-web-2023-review&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Wolf-Rehfeldt, Ruth. &lt;i&gt;Spheres of Interest&lt;/i&gt;. 1975, zincography. &lt;i&gt;Institut für Auslandsbeziehungen (ifa)&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.ifa.de/en/press-release/spheres-of-interest/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Maccari, Cesare. &lt;i&gt;Cicero Denounces Catiline&lt;/i&gt;. 1889. &lt;i&gt;Visual Rhetoric&lt;/i&gt;, &lt;i&gt;Wikipedia&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Visual_rhetoric#&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Puttenham, George. &lt;i&gt;The Art of English Poesie&lt;/i&gt;. 1589.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1475-1640_the-arte-of-english-poes_puttenham-george_1589/page/78/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>4Puttenham, George. &lt;i&gt;The Art of English Poesie&lt;/i&gt;. 1589.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1475-1640_the-arte-of-english-poes_puttenham-george_1589/page/80/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Herbert, George. “Easter Wings.” &lt;i&gt;The Temple&lt;/i&gt;, 1633.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Easter_Wings&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Herbert, George. “The Altar.” &lt;i&gt;The Temple&lt;/i&gt;, 1633.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Altar_poem&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Optatianus Porfyrius, Publilius. “Carmen XXVI (The Altar Poem).” &lt;i&gt;Carmina&lt;/i&gt;, ca. 320–326 CE.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Altar_poem&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Herbert, George. “The Altar.” &lt;i&gt;The Temple&lt;/i&gt;, 1633.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Altar_poem&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Maurus, Rabanus. &lt;i&gt;Medieval Pattern Poems&lt;/i&gt;. 9th century. &lt;i&gt;The Public Domain Review&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://publicdomainreview.org/collection/medieval-pattern-poems-of-rabanus-maurus-9th-century/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Maurus, Rabanus. &lt;i&gt;Medieval Pattern Poems&lt;/i&gt;. 9th century. &lt;i&gt;The Public Domain Review&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://publicdomainreview.org/collection/medieval-pattern-poems-of-rabanus-maurus-9th-century/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Apollinaire, Guillaume. “La cravate et la montre.” &lt;i&gt;Calligrammes&lt;/i&gt;, 1914.&lt;br /&gt;
&lt;a href=&quot;https://thefridaypoem.com/apollinaire-calligrammes/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>Apollinaire, Guillaume. &lt;i&gt;Calligrammes&lt;/i&gt;. 1917.&lt;br /&gt;
&lt;a href=&quot;https://publicdomainreview.org/collection/apollinaire-s-calligrammes-1918/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>McGough, Roger. “40 Love.” Visual poem, 1960s.&lt;br /&gt;
&lt;a href=&quot;https://sites.uni.edu/oloughli/elit11/visualpoetry.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Cutts, Simon. &lt;i&gt;Poinsettia&lt;/i&gt;. 1975. &lt;i&gt;Tate&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.tate.org.uk/about-us/projects/transforming-artist-books/five-artist-book-summaries/simon-cutts-poinsettia-1975&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Cutts, Simon. &lt;i&gt;Poinsettia&lt;/i&gt;. 1975. &lt;i&gt;Tate&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.tate.org.uk/about-us/projects/transforming-artist-books/five-artist-book-summaries/simon-cutts-poinsettia-1975&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Finlay, Ian Hamilton. &lt;i&gt;Concrete Poetry Station I: “Ship”&lt;/i&gt;. 1975. Sculpture. Garden of the Max Planck Institute for Solid State Research, Stuttgart-Vaihingen (Büsnau), Germany.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/File:0256-Stuttgart_Finlay-11-02.jpg&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Picasso, Pablo, and Guillaume Apollinaire. &lt;i&gt;Calligramme&lt;/i&gt;. 1917. Bibliothèque nationale de France, Paris. &lt;i&gt;Garadinervi Repertori&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://garadinervi-repertori.blog/post/172138803741/pablo-picasso-calligramme-guillaume&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Furnival, John. &lt;i&gt;The Tower of Pisa, OP&lt;/i&gt;. Opening Press, 1966. &lt;i&gt;Fondazione Bonotto&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.fondazionebonotto.org/cn/collection/poetry/furnivaljohn/4149.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Simmias of Rhodes. “The Ax.” 4th century BCE.&lt;br /&gt;
&lt;a href=&quot;https://www.revue-textimage.com/04_a_la_lettre/duplan1.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Shiviti&lt;/i&gt;. Micrography (microcalligraphy) in the shape of a menorah. 18th century, Denmark.&lt;br /&gt;
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                                            <image:caption>Verses of Qurʾān (کل من علیها فان — «همهٔ آنچه بر زمین است فانی است»، سورهٔ الرحمن، آیهٔ ۲۶) with poetry by Saʿdī (هر که آمد به جهان اهل فنا خواهد بود، آنکه پاینده و باقیست خدا خواهد بود). Safavid–Qajar period. Stone inscription. ResearchGate.&lt;br /&gt;
&lt;a href=&quot;https://www.researchgate.net/publication/350421849_A_Symbolic_Analysis_of_the_Islamic_Period_Gravestones_in_the_Ahar_Museum&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Persian Cross (Altar Slab with Pahlavi Inscriptions).&lt;/i&gt; Stone altar slab. 7th–8th century. Church of St. Thomas, St. Thomas’s Mount, near Madras (Chennai), Tamil Nadu, India.&lt;br /&gt;
&lt;a href=&quot;http://www.aina.org/books/mokk/mokk.htm#c3&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Jug inscribed with a Persian love poem.&lt;/i&gt; Fragment of a pottery vessel. 12th–13th centuries CE. Persian provenance. Photograph by Clara Amit. &lt;i&gt;Circle of Ancient Iranian Studies (CAIS)&lt;/i&gt;.
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                                            <image:caption>&lt;i&gt;Folio of Persian Poetry.&lt;/i&gt; 17th–18th century, ink and colors on paper. &lt;i&gt;Harvard Art Museums&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.metmuseum.org/art/collection/search?q=Folio+of+Persian+poems%2C+18th+century%2C+Iran&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Recueil de modèles d’écriture persane&lt;/i&gt;. 1489.&lt;br /&gt;
&lt;a href=&quot;https://fr.wikipedia.org/wiki/%C3%89criture_du_persan&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Hāfiz. Poems. 14th century. Manuscript copied by Muḥammad Riżā ibn ʿAbd al-ʿAzīz. Library of Congress,&lt;br /&gt;
&lt;a href=&quot;https://www.loc.gov/resource/plmp.m021/?sp=6&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Anthology of Persian Poetry in Oblong Format (Safīna).&lt;/i&gt; 905 AH (1499–1500 CE). Manuscript compiled by Sultan Muḥammad Nūr&lt;br /&gt;
&lt;a href=&quot;https://www.meisterdrucke.ie/fine-art-prints/Sultan-Muhammad-Nur/1154061/Anthology-of-Persian-Poetry-in-Oblong-Format-Safina,-dated-A.H.-905A.D.-1499-1500.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Jāmī. &lt;i&gt;The Five Treasures (Panj Ganj).&lt;/i&gt; Manuscript folio (recto). 1520–1607.&lt;br /&gt;
&lt;a href=&quot;https://www.meisterdrucke.ie/fine-art-prints/Mushfiq/1190822/Folio-B:-Folio-from-the-Five-Treasures-Panj-Ganj-of-Jami-recto.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;



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                                            <image:caption>&lt;i&gt;Hakim Mosque, Isfahan (calligraphic pattern).&lt;/i&gt; 1073 AH (1662–63 CE). Safavid period. Isfahan, Iran.&lt;br /&gt;



&lt;a href=&quot;https://patterninislamicart.com/s/collections/main-archive/monument/al-hakim-mosque?page=2&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;The Minaret of the Friday Mosque, Saveh, Iran.&lt;/i&gt; 1110 CE. Photograph by P. and J. Grimshaw. &lt;i&gt;Brewminate&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://brewminate.com/the-style-and-regional-differences-of-seljuk-persian-minarets/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Sahba, Houshang. &lt;i&gt;The Glass Human&lt;/i&gt;. Fall 1970.&lt;br /&gt;&lt;a href=&quot;https://www.scribd.com/document/160953196/%D8%A7%D9%86%D8%B3%D8%A7%D9%86-%D8%B4%DB%8C%D8%B4%D9%87-%D8%A7%DB%8C-%D8%B4%D8%B9%D8%B1-%D9%87%D9%88%D8%B4%D9%86%DA%AF-%D8%B5%D9%87%D8%A8%D8%A7&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;
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                                            <image:caption>Tabatabaie, Zhazeh. &lt;i&gt;Readable Poems&lt;/i&gt;. 1953–54. &lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Jazeh_Tabatabai&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>al-Rāzī, Shams al-Dīn Muḥammad ibn Qays. &lt;i&gt;Al-Muʿjam fī Maʿāyīr Ashʿār al-ʿAjam&lt;/i&gt;. 1327 AH (1909 CE).&lt;br /&gt;







&lt;a href=&quot;https://archive.org/details/Al-MojamFiMaaaeeriAshaarIl-Ajam-ShamsuddinMuhammadBinQaisAr-RaziFarsi/Al-mujamFiMaayiriAsharilajam/page/n1/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>al-Rāzī, Shams al-Dīn Muḥammad ibn Qays. &lt;i&gt;Al-Muʿjam fī Maʿāyīr Ashʿār al-ʿAjam&lt;/i&gt;. 1327 AH (1909 CE).&lt;br /&gt;







&lt;a href=&quot;https://archive.org/details/Al-MojamFiMaaaeeriAshaarIl-Ajam-ShamsuddinMuhammadBinQaisAr-RaziFarsi/Al-mujamFiMaayiriAsharilajam/page/n1/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>al-Rāzī, Shams al-Dīn Muḥammad ibn Qays. &lt;i&gt;Al-Muʿjam fī Maʿāyīr Ashʿār al-ʿAjam&lt;/i&gt;. 1327 AH (1909 CE).&lt;br /&gt;







&lt;a href=&quot;https://archive.org/details/Al-MojamFiMaaaeeriAshaarIl-Ajam-ShamsuddinMuhammadBinQaisAr-RaziFarsi/Al-mujamFiMaayiriAsharilajam/page/n1/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rückert, Friedrich. &lt;i&gt;Grammatik, Poetik und Rhetorik der Perser: Nach dem siebenten Bande des Heft Ḱolzum&lt;/i&gt;. 1966.&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133,&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rückert, Friedrich. &lt;i&gt;Grammatik, Poetik und Rhetorik der Perser: Nach dem siebenten Bande des Heft Ḱolzum&lt;/i&gt;. 1966.&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133,&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;</image:caption>
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                                            <image:caption>Rückert, Friedrich. &lt;i&gt;Grammatik, Poetik und Rhetorik der Perser: Nach dem siebenten Bande des Heft Ḱolzum&lt;/i&gt;. 1966.&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133,&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Salim, Seyyed Mohammad. &lt;i&gt;History of Script (تاریخ خط و خطاطین)&lt;/i&gt;. 1348 SH (1969 CE).&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n171/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Salim, Seyyed Mohammad. &lt;i&gt;History of Script (تاریخ خط و خطاطین)&lt;/i&gt;. 1348 SH (1969 CE).&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n252/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Salim, Seyyed Mohammad. &lt;i&gt;History of Script (تاریخ خط و خطاطین)&lt;/i&gt;. 1348 SH (1969 CE).&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;








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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;








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                                            <image:caption>Suhrawardī, Shihāb al-Dīn Yaḥyā ibn Habash. &lt;i&gt;Hikmat al-Ishrāq&lt;/i&gt;. Copied by Shams bin Jamal al-Hatani, post-Seljuq Iran, 13 Oct. 1220. Manuscript.
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&lt;a href=&quot;https://en.wikipedia.org/wiki/Shihab_al-Din_Yahya_ibn_Habash_Suhrawardi&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Letter in Taʿlīq Script&lt;/i&gt;. Calligraphed by Darvish ʿAbdullah Munshi. 911 AH (1505–06 CE). Ink on paper. Metropolitan Museum of Art, New York.&lt;br /&gt;
&lt;a href=&quot;https://www.alamy.com/letter-in-taliq-script-calligrapher-darvish-abdullah-munshi-dimensions-h-102-in-26-cm-x-w-71-in-18-cm-date-ah-911ad-1505-6-museum-metropolitan-museum-of-art-new-york-usa-image213248301.html?imageid=A5CFCCAD-FEB5-41CB-966D-91DCF9FBF14B&amp;pn=1&amp;searchId=7f69f29da6cfc4217c24128eedeb6050&amp;searchtype=0&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Esfahani, Mirza Gholamreza. &lt;i&gt;Siyāh Mashq (Calligraphic Exercise)&lt;/i&gt;. Qajar period, 19th century. Ink on paper. Iran.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/Creator:Mirza_Gholamreza_Esfahani&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Seifi Qazvini, Mirza Mohammad Hussein (Emad al-Kottab). &lt;i&gt;Siyah Mashq (نستعلیق سیاه‌مشق)&lt;/i&gt;. 1336 AH (1918 CE). Calligraphy Museum of Iran&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Emad_al-Kottab&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Suhrawardī, Shihāb al-Dīn Yaḥyā. &lt;i&gt;Aql-e Sorkh (The Red Intellect): Philosophy and Theology, Texts and Studies&lt;/i&gt;. Translated and edited by Reza Kouhkan, 1 Jan. 2011.&lt;br /&gt;
&lt;a href=&quot;https://www.scribd.com/document/488279350/Suhrawardi-Allegories-and-Mystical-Treatsies&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Suhrawardī, Shihāb al-Dīn Yaḥyā. &lt;i&gt;Aql-e Sorkh (The Red Intellect): Philosophy and Theology, Texts and Studies&lt;/i&gt;. Translated and edited by Reza Kouhkan, 1 Jan. 2011.&lt;br /&gt;
&lt;a href=&quot;https://www.scribd.com/document/488279350/Suhrawardi-Allegories-and-Mystical-Treatsies&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.



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&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>3Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, 1 Jan. 2025.&lt;br /&gt;
&lt;a href=&quot;https://text.plain-form.com/en/plaintext&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;i&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, Jan. 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, Jan. 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, 1 July 2025&lt;br /&gt;
&lt;a href=&quot;https://shop.plain-form.com/en/shop/plain-text-2&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Rogoff, Irit. “Becoming Research.” Lecture/essay, 2017.&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?v=5WZR5o-5Oy8&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Horkheimer, Max. &lt;i&gt;Critical Theory: Selected Essays&lt;/i&gt;. A&amp;#x26;C Black, 1972.&lt;br /&gt;
&lt;a href=&quot;https://monoskop.org/images/7/74/Horkheimer_Max_Critical_Theory_Selected_Essays_2002.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Adorno, Theodor W. “The Essay as Form.” 1984.&lt;br /&gt;
&lt;a href=&quot;https://commons.princeton.edu/hum583-f24/wp-content/uploads/sites/420/2024/10/Adorno_EssayAsForm-copy.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Adorno, Theodor W. &lt;i&gt;Noten zur Literatur&lt;/i&gt;. 1958.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/notenzurliteratu0000ador/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rogoff, Irit. “Becoming Research.” Lecture/essay, 2017.&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?v=5WZR5o-5Oy8&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Le Guin, Ursula K. “The Carrier Bag Theory of Fiction.” 1986.&lt;br /&gt;
&lt;a href=&quot;https://monoskop.org/images/9/96/Le_Guin_Ursula_K_1986_1989_The_Carrier_Bag_Theory_of_Fiction.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Le Guin, Ursula K. “The Carrier Bag Theory of Fiction.” 1986.&lt;br /&gt;
&lt;a href=&quot;https://monoskop.org/images/9/96/Le_Guin_Ursula_K_1986_1989_The_Carrier_Bag_Theory_of_Fiction.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Bicât, André. &lt;i&gt;Night Meeting&lt;/i&gt;. 1965.&lt;br /&gt;
&lt;a href=&quot;https://www.tate.org.uk/art/artworks/bicat-night-meeting-p11762&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rasula, Jed, and Steve McCaffery, editors. &lt;i&gt;Imagining Language: An Anthology&lt;/i&gt;. MIT Press, 2000.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/imagininglanguag0000unse/page/n6/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Bellini, Andrea, and Sarah Lombardi. &lt;i&gt;Writing by Drawing: When Language Seeks Its Other&lt;/i&gt;. Nov. 2020.&lt;br /&gt;
&lt;a href=&quot;https://san-serriffe.com/product/writing-by-drawing/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Taussig, Michael. &lt;i&gt;Mastery of Non-Mastery in the Age of Meltdown&lt;/i&gt;. University of Chicago Press, 2020.&lt;br /&gt;
&lt;a href=&quot;https://press.uchicago.edu/ucp/books/book/chicago/M/bo46980359.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Revue Faire&lt;/i&gt;, no. 43, Thierry Chancogne, Éditions Empire, 25 Jan. 2023.&lt;br /&gt;



&lt;a href=&quot;https://revue-faire.eu/produit/n44-lecriture-typographiee-author-thierry-chancogne/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Cocker, Emma. &lt;i&gt;Tactics for Not Knowing: Preparing for the Unexpected&lt;/i&gt;. Live Art Development Agency, 2013.&lt;br /&gt;
&lt;a href=&quot;https://tallertrustme.wordpress.com/wp-content/uploads/2015/08/on-not-knowing.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2741238909295536649647775444113/IMG_7829.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2741238982953385735970015046801/Karl-Nawrot.jpg</image:loc>
                                            <image:caption>Nawrot, Karl. &lt;i&gt;Mind Walks&lt;/i&gt;. Rollo Press, 2016.&lt;br /&gt;
&lt;a href=&quot;https://rollo-press.com/#mind-walks&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Taussig, Michael. &lt;i&gt;Mastery of Non-Mastery in the Age of Meltdown&lt;/i&gt;. University of Chicago Press, 2020.&lt;br /&gt;
&lt;a href=&quot;https://press.uchicago.edu/ucp/books/book/chicago/M/bo46980359.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;














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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2741248597009015327840416722065/IMG_4129.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/T2741249736704204433837644213393/IMG_7799.JPG</image:loc>
                                            <image:caption>Hakkens, José. &lt;i&gt;Zoon&lt;/i&gt;. Typographic translation of &lt;i&gt;L’Enfant de sable&lt;/i&gt; by Tahar Ben Jelloun. Gerrit Rietveld Academie, 1995.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/The_Sand_Child&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2750503938932003553008936447121/krzysztof-penderecki-polymorphia1.jpg</image:loc>
                                            <image:caption>Penderecki, Krzysztof. &lt;i&gt;Polymorphia&lt;/i&gt;. 1961. Page from the musical score (graphic notation).&lt;br /&gt;

&lt;a href=&quot;https://www.smithsonianmag.com/arts-culture/5-12-examples-of-experimental-music-notation-92223646/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Dotremont, Christian. &lt;i&gt;Envie de ne plus écrire…&lt;/i&gt;. 1975. Visual poem / logogram.&lt;br /&gt;
&lt;a href=&quot;https://www.artnet.fr/artistes/christian-dotremont/envie-de-ne-plus-%C3%A9crire-0KrESNwC_EDZAuJYJTtRGw2&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;wwwwwwwww.jodi.org&lt;/i&gt;. &lt;i&gt;REBOOT: Pioneering Digital Art&lt;/i&gt;, 7 Oct. 2023–12 May 2024, exhibition installation.&lt;br /&gt;
&lt;a href=&quot;https://wwwwwwwww.jodi.org/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Strauss, Carolyn F. &lt;i&gt;Slow Technology Reader&lt;/i&gt;. Valiz, Oct. 2025.&lt;br /&gt;
&lt;a href=&quot;https://valiz.nl/en/publications/slow-technology-reader&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2751954030049599999156520905873/IMG_7851.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2751954445636297235759009262737/IMG_7848.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2751954772069880364123234659473/IMG_7857.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2751956882414295884643358633105/IMG_7861.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2751957779147418795812081790097/IMG_7859.MOV</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2751959730628474353545547246737/IMG_6293.JPG</image:loc>
                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/U2751961603803101318381966093457/IMG_4012.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2751963263788707023357096914065/IMG_4030.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2751965241427245677610706562193/IMG_4160.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2755567135833200865362426096785/research-cover.jpg</image:loc>
                                            <image:caption>Vis, Dirk. Research For People Who (Think They) Would Rather Create. Version 1.1.3, Onomatopee, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2755622286986295238494370032785/IMG_7869.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2756545733318914891935670496401/OMP-201_Research-for-People-who-think-they-would-rather-create_-ISBN-978-94-93148-43-7_-Dirk-Vis-_-Florian-Cramer_020.jpg</image:loc>
                                            <image:caption>Vis, Dirk. Research For People Who (Think They) Would Rather Create. Version 1.1.3, Onomatopee, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2756545806349574679751785344145/OMP-201_Research-for-People-who-think-they-would-rather-create_-ISBN-978-94-93148-43-7_-Dirk-Vis-_-Florian-Cramer_018.jpg</image:loc>
                                            <image:caption>Vis, Dirk. Research For People Who (Think They) Would Rather Create. Version 1.1.3, Onomatopee, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2757178001928401712615651962001/--3-10365.jpg</image:loc>
                                            <image:caption>Tabatabaei, Zhazeh. &lt;i&gt;Ajagh-Vajagh: She‘r Bar Bāteleh&lt;/i&gt; (کتاب اجق‌وجق، شعر بر باطله). 1355 SH (1976–77 CE).&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Jazeh_Tabatabai&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2757269128585871420768701279377/IMG_7856.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2758369812914204986289497468049/note01.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2758372372787326839037684771985/note2.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2758372526319577764522282871953/note3.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2758375744962823977585977486481/P24-An-early-fourth-century-fragment-containing-Rev-5-5-8-on-one-side-and-6-5-8-on-the-reverse.jpg</image:loc>
                                            <image:caption>&lt;i&gt;The Text of Revelation (Papyrus 24/P24).&lt;/i&gt; Early 4th century. Greek manuscript fragment.&lt;br /&gt;
&lt;a href=&quot;https://revelationpupil.wordpress.com/2016/11/24/the-text-of-revelation/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2758379466169165734792696327313/Situationist_JdJ_Medium_779px2.jpg</image:loc>
                                            <image:caption>Situationist International. “Critique of the Political Practice of Détournement.” &lt;i&gt;Stedelijk Museum Amsterdam&lt;/i&gt;, 2019.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2758379518521025415980403813521/Situationist_JdJ_Medium_779px3.jpg</image:loc>
                                            <image:caption>Situationist International. “Critique of the Political Practice of Détournement.” &lt;i&gt;Stedelijk Museum Amsterdam&lt;/i&gt;, 2019.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2758381351758451461235643411601/WhatsApp-Image-2026-01-16-at-17.57.30-1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2758645378143257314603258506385/scan_3416542kabk.nl_2026-01-22-17-58-32_10.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2758648593576770058841491139729/scan_3416542kabk.nl_2026-01-22-17-58-32_7.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2758650334746496432212358622353/scan_3416542kabk.nl_2026-01-22-17-58-32_4.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2758672043907940041740435221649/scan_3416542kabk.nl_2026-01-22-17-55-59_2.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2758700244165028540406663113873/Clairvoyant-8902.png</image:loc>
                                            <image:caption>Weiner, Hannah. &lt;i&gt;Clairvoyant Journal&lt;/i&gt;. 1974.&lt;br /&gt;
&lt;a href=&quot;https://eclipsearchive.org/projects/CLAIRVOYANT/html/contents.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2759501252078533354070067539089/scan_3416542kabk.nl_2026-01-23-10-06-44.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2768899168111704029267226160273/IMG_7906.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2768899290745658631288325303441/IMG_7908.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2768899632692953525642283609233/IMG_7902.MOV</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2768902142981227308259196169361/scan_3416542kabk.nl_2026-01-26-17-10-39_3-1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2768903343015716279360366996625/scan_3416542kabk.nl_2026-01-26-18-34-12_12-1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2768910499337845954612368665745/Screenshot-2026-01-29-at-08.09.47.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2768910589321063546167561448593/Screenshot-2026-01-29-at-08.10.39.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2768910746026154452330202426513/Screenshot-2026-01-29-at-08.11.17.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2768910973031787023399944613009/Screenshot-2026-01-29-at-08.09.53.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2768912816359582076974308945041/Screenshot-2026-01-29-at-08.17.01.png</image:loc>
                                            <image:caption>Cixous, Hélène. &lt;i&gt;Coming to Writing and Other Essays&lt;/i&gt;. Harvard University Press, 1991.&lt;br /&gt;
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                                            <image:caption> \Bauer, Friedrich. &lt;i&gt;Das Giessinstrument des Schriftgiessers&lt;/i&gt;. Hamburg und München, Schriftgiesserei Aktiengesellschaft Genzsch &amp;#x26; Heyse, 1922.&lt;br /&gt;
&lt;a href=&quot;https://www.circuitousroot.com/artifice/letters/press/hand-casting/literature/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption> \Bauer, Friedrich. &lt;i&gt;Das Giessinstrument des Schriftgiessers&lt;/i&gt;. Hamburg und München, Schriftgiesserei Aktiengesellschaft Genzsch &amp;#x26; Heyse, 1922.&lt;br /&gt;
&lt;a href=&quot;https://www.circuitousroot.com/artifice/letters/press/hand-casting/literature/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>De Vinne, Theodore Low. &lt;i&gt;Punch and Matrix&lt;/i&gt;. 1876.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/File:De_Vinne_1876_-_Punch_and_matrix.jpg&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Koch, Rudolf Koch, and Fritz Kredel. “On Punch Cutting &amp;#x26; Wood Cutting.” &lt;i&gt;The Colophon&lt;/i&gt; [original series], pt. 10, 1932, unpaginated.&lt;br /&gt;
&lt;a href=&quot;https://circuitousroot.com/artifice/letters/press/typemaking/literature/punchcutting/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Koch, Rudolf Koch, and Fritz Kredel. “On Punch Cutting &amp;#x26; Wood Cutting.” &lt;i&gt;The Colophon&lt;/i&gt; [original series], pt. 10, 1932, unpaginated.&lt;br /&gt;




&lt;a href=&quot;https://circuitousroot.com/artifice/letters/press/typemaking/literature/punchcutting/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Matrixcase, Bembo, 16 pts&lt;/i&gt;. &lt;i&gt;Wikipedia, &lt;/i&gt;&lt;span style=&quot;margin: 0px; padding: 0px;&quot;&gt;&lt;em&gt;the free encyclopedia. &lt;/em&gt;(n.d.)&lt;/span&gt;.&lt;br /&gt;
&lt;a href=&quot;https://nl.wikipedia.org/wiki/Bestand:Matrixcase-bembo-16pts.jpg&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Brown, J. Dakota. “Typography, Automation, and the Division of Labor: A Brief History.” 2019.&lt;br /&gt;
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                                            <image:caption>&lt;i&gt;The Second Wave&lt;/i&gt;. Vol. 5, no. 3, Oct. 1979, Atlanta Lesbian Feminist Alliance, Atlanta, GA.&lt;a href=&quot;https://archive.org/details/secondwavereader0000unse&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;&lt;br /&gt;
SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>Bernstein, Charles. &lt;i&gt;Close Listening: Poetry and the Performed Word&lt;/i&gt;. Oxford University Press, 1998.&lt;br /&gt;
&lt;a href=&quot;https://www.scribd.com/doc/295285652/Charles-Bernstein-Close-Listening&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>&lt;i&gt;The Chicago Manual of Style&lt;/i&gt;. 17th ed., University of Chicago Press, 2017.&lt;br /&gt;
&lt;a href=&quot;https://www.chicagomanualofstyle.org/home.html&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>Hochuli, Jost. &lt;i&gt;Detail in Typography&lt;/i&gt;. Hyphen Press, 2008.&lt;br /&gt;
&lt;a href=&quot;https://jarrettfuller.com/Graphic-Design-Readings/PDF/hochuli-Jost-H-Detail-in-Typography%20scribd%20-%2064-page.pdf&quot; target=&quot;_blank&quot;&gt;&lt;span style=&quot;color: rgba(0, 0, 0, 0.4);&quot;&gt;SRC&lt;/span&gt;&lt;/a&gt;
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                                            <image:caption>Weiner, Hannah. &lt;i&gt;Clairvoyant Journal&lt;/i&gt;. 1974.&lt;br /&gt;
&lt;a href=&quot;https://eclipsearchive.org/projects/CLAIRVOYANT/html/contents.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Weiner, Hannah. &lt;i&gt;Clairvoyant Journal&lt;/i&gt;. 1974.&lt;br /&gt;
&lt;a href=&quot;https://eclipsearchive.org/projects/CLAIRVOYANT/html/pictures/018.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Cage, John. &lt;i&gt;Silence: Lectures and Writings&lt;/i&gt;. Wesleyan University Press, 1973.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/silencelecturesw1961cage/page/156/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Cage, John. &lt;i&gt;Silence: Lectures and Writings&lt;/i&gt;. Wesleyan University Press, 1973.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/silencelecturesw1961cage/page/156/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;
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                                            <image:caption>Brodine, Karen. &lt;i&gt;Work Week&lt;/i&gt;. Berkeley, Calif., Kelsey St. Press, 1977.&lt;br /&gt;
&lt;a href=&quot;https://www.kelseystreetpress.org/product-page/work-week&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Brodine, Karen. &lt;i&gt;Woman Sitting at the Machine, Thinking and Censorship&lt;/i&gt;. Edited by Isabelle Sully, Publication Studio, 2012&lt;br /&gt;
&lt;a href=&quot;https://publicationstudio.biz/books/karen-brodine-woman-sitting-at-the-machine-thinking-and-censorship/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;





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                                            <image:caption>Brodine, Karen. &lt;i&gt;Woman Sitting at the Machine, Thinking and Censorship&lt;/i&gt;. Edited by Isabelle Sully, Publication Studio, 2012&lt;br /&gt;
&lt;a href=&quot;https://publicationstudio.biz/books/karen-brodine-woman-sitting-at-the-machine-thinking-and-censorship/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Dermisache, Mirtha. &lt;i&gt;To Be Read&lt;/i&gt;. 1972.&lt;br /&gt;
&lt;a href=&quot;https://post.moma.org/on-language-and-its-limits-the-illegible-writings-of-mirtha-dermisache/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Dotremont, Christian. &lt;i&gt;Ou vas-tu, Lapon&lt;/i&gt;. 1970.&lt;br /&gt;
&lt;a href=&quot;https://palaceoftypographicmasonry.nl/sign/the-asemic-cabinet/collection/christian-dotremont/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Serafini, Luigi. &lt;i&gt;Codex Seraphinianus&lt;/i&gt;. Franco Maria Ricci Editore, 1981.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/codex-seraphinianus-luigi-serafini/page/n210/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Blake, William. &lt;i&gt;The Notebook of William Blake: A Photographic and Typographic Facsimile&lt;/i&gt;. Edited by David V. Erdman, Readex Books, 1973.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Notebook_of_William_Blake&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Blake, William. &lt;i&gt;The Notebook of William Blake: A Photographic and Typographic Facsimile&lt;/i&gt;. Edited by David V. Erdman, Readex Books, 1973.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Notebook_of_William_Blake&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Blake, William. &lt;i&gt;The Notebook of William Blake: A Photographic and Typographic Facsimile&lt;/i&gt;. Edited by David V. Erdman, Readex Books, 1973.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Notebook_of_William_Blake&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Cage, John. &lt;i&gt;Fontana Mix&lt;/i&gt;. 1958. Musical score. &lt;i&gt;BBC Radio 3&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.smithsonianmag.com/arts-culture/5-12-examples-of-experimental-music-notation-92223646/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Cardew, Cornelius. &lt;i&gt;Treatise&lt;/i&gt;. 1967. Performed by the KYMATIC Ensemble.&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?app=desktop&amp;v=b0V9_xqaw8Q&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Stepanov, Vladimir Ivanovich. &lt;i&gt;Alphabet des mouvements du corps humain&lt;/i&gt;. 1892. &lt;i&gt;Encyclopædia Britannica&lt;/i&gt;, Encyclopædia Britannica.&lt;br /&gt;
&lt;a href=&quot;https://www.britannica.com/art/dance-notation#/media/1/150794/71980&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Topor, Roland. &lt;i&gt;Title page from&lt;/i&gt; &lt;i&gt;Souvenirs&lt;/i&gt;. De Harmonie, n.d. Reproduced in Onnen, Serge, &lt;i&gt;Drawings on Writing&lt;/i&gt;, JL Books, 2008.&lt;br /&gt;
&lt;a href=&quot;https://www.drawingsonwriting.org/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Onnen, Serge. “100% Text, 99% Illegible.” Sticker on a package. &lt;i&gt;Drawings on Writing&lt;/i&gt;. JL Books, 2008, New York.&lt;br /&gt;
&lt;a href=&quot;https://www.drawingsonwriting.org/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>Palmer, Zela Odessa. &lt;i&gt;Poetry Is Not a Luxury&lt;/i&gt;. 2022, embroidery on cotton, 30 × 20 cm. &lt;i&gt;The Grey Space in the Middle&lt;/i&gt;, The Hague, Netherlands.&lt;br /&gt;
&lt;a href=&quot;https://www.zelaodessapalmer.com/poetry&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>&lt;i&gt;Science Writing and Notation System&lt;/i&gt;. n.d.&lt;br /&gt;
&lt;a href=&quot;https://rahulanand.org/scientific-notation-explained-a-comprehensive-guide/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Debug&lt;/i&gt;. 2010. &lt;i&gt;EDHV Design Lab. &lt;br /&gt;
&lt;/i&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;a href=&quot;https://www.edhv.nl/design-lab/projects/debug/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;/div&gt;&lt;i&gt;&lt;br /&gt;
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                                            <image:caption>Leonardi, Cesare. &lt;i&gt;Solids&lt;/i&gt;. 1983, wood board system. &lt;i&gt;Archivio Leonardi&lt;/i&gt;&lt;br /&gt;
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                                            <image:caption>Lorenz, Martin. &lt;i&gt;Flexible Visual Systems: The Design Manual for Contemporary Visual Identities&lt;/i&gt;. Slanted Publishers, 2021.&lt;br /&gt;
&lt;a href=&quot;https://flexiblevisualsystems.info/publications/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2733307267929899200875050200209/Screenshot-2025-04-26-at-20.34.55-8096.png</image:loc>
                                            <image:caption>Xavier, Hieronymus, Soc. Jesu. &lt;i&gt;Historia Christi Persice conscripta, simulque multis modis contaminata&lt;/i&gt;. Latine reddita &amp;#x26; animadversionibus notata a Ludovico de Dieu. Lugduni Batavorum: Ex officina Elseviriana, 1639. &lt;i&gt;Internet Archive&lt;br /&gt;
&lt;/i&gt;&lt;a href=&quot;https://archive.org/details/ned-kbn-all-00003328-001/page/10/mode/2up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Muhammad ibn Mahmud ibn ‘Ali al-Tabari al-Asturlabi. &lt;i&gt;Celestial Globe&lt;/i&gt;. 684 AH (1285–86 AD), brass incised and inlaid with silver, 13.4 cm diameter. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-celestial-globe-sci21/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>al-Marrakushi. &lt;i&gt;The Jāmiʿ al-Mabādiʾ wa-l-Ghayāt&lt;/i&gt;. 1070 AH (1659–60 AD). Manuscript. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-the-jami-al-mabadi-wal-ghayat-of-al-marrakushi-mss358/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>al-Marrakushi. &lt;i&gt;The Jāmiʿ al-Mabādiʾ wa-l-Ghayāt&lt;/i&gt;. 1070 AH (1659–60 AD). Manuscript. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-the-jami-al-mabadi-wal-ghayat-of-al-marrakushi-mss358/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Calligraphic Panel&lt;/i&gt;. 19th century. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;



&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-calligraphic-panel-cal178/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>&lt;i&gt;Fuyūżāt al-Mıknāṭīsiyya&lt;/i&gt;. Müteferrika Printing House, 1731.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Çelebi, Kâtip. &lt;i&gt;Cihannüma&lt;/i&gt;. Müteferrika Printing House, 1732.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2733321739695772931197645778065/9-muteferrika-matbaasinda-basilan-gulsen-i-hulefa-8668.jpg</image:loc>
                                            <image:caption>Nazmizade Murtaza. &lt;i&gt;Gülşen-i Hulefâ&lt;/i&gt;. Müteferrika Printing House, 1730.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2733321895386292913306261417105/6-muteferrika-matbaasinda-basilan-rasid-tarihi-8679.jpg</image:loc>
                                            <image:caption>Raşid Efendi, Mehmed. &lt;i&gt;Tarih-i Raşid&lt;/i&gt;. Müteferrika Printing House, 1741.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/R2733323003279295236228221922449/21-uskudar-matbaasinda-basilan-usul-i-hendese-ve-musellesat-8678.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Usul al-Handasa and Muthallathat&lt;/i&gt;. Üsküdar Publishing House, 19th century.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Farāʾiḍ al-Fawāʾid fī Bayān al-ʿAqāʾid (Āmentü Şerhi).&lt;/i&gt; Üsküdar Publishing House, 19th century.&lt;br /&gt;
&lt;a href=&quot;https://istanbultarihi.ist/668-the-printing-presses-of-istanbul-1453-1839&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>al-Ṣūfī, ʿAbd al-Raḥmān. &lt;i&gt;Kitāb Ṣuwar al-Kawākib al-Thābitah&lt;/i&gt;. 1170. MS. Huntington 212, fol. 1r, detail.&lt;br /&gt;
&lt;a href=&quot;https://blogs.bodleian.ox.ac.uk/archivesandmanuscripts/tag/al-sufi/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>al-Ṣūfī, ʿAbd al-Raḥmān. &lt;i&gt;Kitāb Ṣuwar al-Kawākib al-Thābitah&lt;/i&gt;. MS. Marsh 144, Bodleian Library, Oxford.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/Category:Kit%C4%81b_%E1%B9%A2uwar_al-kaw%C4%81kib_(al-th%C4%81bitah)_(Bodleian_Library_MS._Marsh_144)&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Ikhwān al-Ṣafāʾ. &lt;i&gt;Rasāʾil&lt;/i&gt;. 1560. Bodleian Libraries, University of Oxford. &lt;i&gt;Digital Bodleian&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://digital.bodleian.ox.ac.uk/objects/12fcf5c5-2bb0-4e0e-b8a9-7620bd6bec90/surfaces/6c5f1ed7-7099-4be2-a34d-01a050874a45/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/L2733330884632253984560440306833/Bodleian-Library-MS-Laud-Or-260_00026_fol-11b_reduced-8462.jpg</image:loc>
                                            <image:caption>Ikhwān al-Ṣafāʾ. &lt;i&gt;Rasāʾil&lt;/i&gt;. 1560. Bodleian Libraries, University of Oxford. &lt;i&gt;Digital Bodleian&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://digital.bodleian.ox.ac.uk/objects/12fcf5c5-2bb0-4e0e-b8a9-7620bd6bec90/surfaces/1991d7e8-1804-4eed-af72-40d338fa94f0/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Kitāb fī al-Imtināʿ ʿan Shurb al-Muskirāt [A Book on Temperance].&lt;/i&gt; American Mission Press, 1838. &lt;i&gt;Printing History&lt;/i&gt;.&lt;br /&gt;



&lt;a href=&quot;https://printinghistory.org/challenges-of-early-arabic-printing/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/U2733333035928441348715768867985/https___www.khalilicollections.org_wp-content_uploads_2023_09_596_mss-0568-74b-75a-8577.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Kitāb al-Hādī al-Muḥammadī fī al-Ṭibb al-Nabawī (A Treatise on Prophetic Medicine).&lt;/i&gt; 21 Shawwāl 926 AH (4 Oct. 1520). Manuscript. &lt;i&gt;The Khalili Collections&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.khalilicollections.org/collections/islamic-art/khalili-collection-islamic-art-kitab-al-hadi-al-muhammadi-fil-tibbal-al-nabawi-mss568/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Helmont, Franciscus Mercurius van. &lt;i&gt;Alphabeti verè naturalis Hebraici brevissima delineatio&lt;/i&gt;. 1667.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/alphabetiverenat00helm/page/n87/mode/2up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                <image:image>
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                                            <image:caption>Helmont, Franciscus Mercurius van. &lt;i&gt;Alphabeti verè naturalis Hebraici brevissima delineatio&lt;/i&gt;. 1667.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/alphabetiverenat00helm/page/n104/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2733369584167326684271032822929/Screenshot-2025-05-04-at-10.20.19-12077.png</image:loc>
                                            <image:caption>Wilkins, John. &lt;i&gt;An Essay towards a Real Character and a Philosophical Language&lt;/i&gt;. 1668.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1641-1700_an-essay-towards-a-real-_wilkins-john_1668/page/26/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                <image:image>
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                                            <image:caption>Wilkins, John. &lt;i&gt;An Essay towards a Real Character and a Philosophical Language&lt;/i&gt;. 1668.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1641-1700_an-essay-towards-a-real-_wilkins-john_1668/page/26/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Bell, Alexander. &lt;i&gt;Visible Speech: The Science of Universal Alphabets; or, Self-Interpreting Physiological Letters&lt;/i&gt;. 1867.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/b21782520/page/n154/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Schwitters, Kurt. &lt;i&gt;Ursonate&lt;/i&gt;. 1932. &lt;i&gt;MedienKunstNetz&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;http://www.medienkunstnetz.de/works/ursonate/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Schwitters, Kurt. &lt;i&gt;Ursonate&lt;/i&gt;. 1932.&lt;br /&gt;



&lt;a href=&quot;https://www.youtube.com/watch?v=1qLKu3R8no4&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Steele, Joshua. &lt;i&gt;Prosodia Rationalis: Or, An Essay Towards Establishing the Melody and Measure of Speech, to Be Expressed and Perpetuated by Peculiar Symbols&lt;/i&gt;. 1779.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/essaytowardsesta00stee/page/160/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Steele, Joshua. &lt;i&gt;Prosodia Rationalis: Or, An Essay Towards Establishing the Melody and Measure of Speech, to Be Expressed and Perpetuated by Peculiar Symbols&lt;/i&gt;. 1779.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/essaytowardsesta00stee/page/138/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Wolf-Rehfeldt, Ruth. &lt;i&gt;Figuration collagiert (Figuration Collaged).&lt;/i&gt; 1980s, collage on letterpress.&lt;br /&gt;



&lt;a href=&quot;https://www.frieze.com/article/ruth-wolf-rehfeldt-like-a-spider-in-a-web-2023-review&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Wolf-Rehfeldt, Ruth. &lt;i&gt;Divided Planet&lt;/i&gt;. 1970s, typewriting, carbon copy.&lt;br /&gt;
&lt;a href=&quot;https://www.frieze.com/article/ruth-wolf-rehfeldt-like-a-spider-in-a-web-2023-review&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Wolf-Rehfeldt, Ruth. &lt;i&gt;Spheres of Interest&lt;/i&gt;. 1975, zincography. &lt;i&gt;Institut für Auslandsbeziehungen (ifa)&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.ifa.de/en/press-release/spheres-of-interest/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Maccari, Cesare. &lt;i&gt;Cicero Denounces Catiline&lt;/i&gt;. 1889. &lt;i&gt;Visual Rhetoric&lt;/i&gt;, &lt;i&gt;Wikipedia&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Visual_rhetoric#&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Puttenham, George. &lt;i&gt;The Art of English Poesie&lt;/i&gt;. 1589.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1475-1640_the-arte-of-english-poes_puttenham-george_1589/page/78/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>4Puttenham, George. &lt;i&gt;The Art of English Poesie&lt;/i&gt;. 1589.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/bim_early-english-books-1475-1640_the-arte-of-english-poes_puttenham-george_1589/page/80/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Herbert, George. “Easter Wings.” &lt;i&gt;The Temple&lt;/i&gt;, 1633.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Easter_Wings&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Herbert, George. “The Altar.” &lt;i&gt;The Temple&lt;/i&gt;, 1633.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Altar_poem&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Optatianus Porfyrius, Publilius. “Carmen XXVI (The Altar Poem).” &lt;i&gt;Carmina&lt;/i&gt;, ca. 320–326 CE.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Altar_poem&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Herbert, George. “The Altar.” &lt;i&gt;The Temple&lt;/i&gt;, 1633.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Altar_poem&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Maurus, Rabanus. &lt;i&gt;Medieval Pattern Poems&lt;/i&gt;. 9th century. &lt;i&gt;The Public Domain Review&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://publicdomainreview.org/collection/medieval-pattern-poems-of-rabanus-maurus-9th-century/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Maurus, Rabanus. &lt;i&gt;Medieval Pattern Poems&lt;/i&gt;. 9th century. &lt;i&gt;The Public Domain Review&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://publicdomainreview.org/collection/medieval-pattern-poems-of-rabanus-maurus-9th-century/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Apollinaire, Guillaume. “La cravate et la montre.” &lt;i&gt;Calligrammes&lt;/i&gt;, 1914.&lt;br /&gt;
&lt;a href=&quot;https://thefridaypoem.com/apollinaire-calligrammes/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>Apollinaire, Guillaume. &lt;i&gt;Calligrammes&lt;/i&gt;. 1917.&lt;br /&gt;
&lt;a href=&quot;https://publicdomainreview.org/collection/apollinaire-s-calligrammes-1918/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>McGough, Roger. “40 Love.” Visual poem, 1960s.&lt;br /&gt;
&lt;a href=&quot;https://sites.uni.edu/oloughli/elit11/visualpoetry.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Cutts, Simon. &lt;i&gt;Poinsettia&lt;/i&gt;. 1975. &lt;i&gt;Tate&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.tate.org.uk/about-us/projects/transforming-artist-books/five-artist-book-summaries/simon-cutts-poinsettia-1975&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Cutts, Simon. &lt;i&gt;Poinsettia&lt;/i&gt;. 1975. &lt;i&gt;Tate&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.tate.org.uk/about-us/projects/transforming-artist-books/five-artist-book-summaries/simon-cutts-poinsettia-1975&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Finlay, Ian Hamilton. &lt;i&gt;Concrete Poetry Station I: “Ship”&lt;/i&gt;. 1975. Sculpture. Garden of the Max Planck Institute for Solid State Research, Stuttgart-Vaihingen (Büsnau), Germany.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/File:0256-Stuttgart_Finlay-11-02.jpg&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Picasso, Pablo, and Guillaume Apollinaire. &lt;i&gt;Calligramme&lt;/i&gt;. 1917. Bibliothèque nationale de France, Paris. &lt;i&gt;Garadinervi Repertori&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://garadinervi-repertori.blog/post/172138803741/pablo-picasso-calligramme-guillaume&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Furnival, John. &lt;i&gt;The Tower of Pisa, OP&lt;/i&gt;. Opening Press, 1966. &lt;i&gt;Fondazione Bonotto&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.fondazionebonotto.org/cn/collection/poetry/furnivaljohn/4149.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Simmias of Rhodes. “The Ax.” 4th century BCE.&lt;br /&gt;
&lt;a href=&quot;https://www.revue-textimage.com/04_a_la_lettre/duplan1.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Shiviti&lt;/i&gt;. Micrography (microcalligraphy) in the shape of a menorah. 18th century, Denmark.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Micrography&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Verses of Qurʾān (کل من علیها فان — «همهٔ آنچه بر زمین است فانی است»، سورهٔ الرحمن، آیهٔ ۲۶) with poetry by Saʿdī (هر که آمد به جهان اهل فنا خواهد بود، آنکه پاینده و باقیست خدا خواهد بود). Safavid–Qajar period. Stone inscription. ResearchGate.&lt;br /&gt;
&lt;a href=&quot;https://www.researchgate.net/publication/350421849_A_Symbolic_Analysis_of_the_Islamic_Period_Gravestones_in_the_Ahar_Museum&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Persian Cross (Altar Slab with Pahlavi Inscriptions).&lt;/i&gt; Stone altar slab. 7th–8th century. Church of St. Thomas, St. Thomas’s Mount, near Madras (Chennai), Tamil Nadu, India.&lt;br /&gt;
&lt;a href=&quot;http://www.aina.org/books/mokk/mokk.htm#c3&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Jug inscribed with a Persian love poem.&lt;/i&gt; Fragment of a pottery vessel. 12th–13th centuries CE. Persian provenance. Photograph by Clara Amit. &lt;i&gt;Circle of Ancient Iranian Studies (CAIS)&lt;/i&gt;.
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&lt;a href=&quot;https://www.cais-soas.com/News/2009/March2009/10-03-jug.htm&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Folio of Persian Poetry.&lt;/i&gt; 17th–18th century, ink and colors on paper. &lt;i&gt;Harvard Art Museums&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://www.metmuseum.org/art/collection/search?q=Folio+of+Persian+poems%2C+18th+century%2C+Iran&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Recueil de modèles d’écriture persane&lt;/i&gt;. 1489.&lt;br /&gt;
&lt;a href=&quot;https://fr.wikipedia.org/wiki/%C3%89criture_du_persan&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Hāfiz. Poems. 14th century. Manuscript copied by Muḥammad Riżā ibn ʿAbd al-ʿAzīz. Library of Congress,&lt;br /&gt;
&lt;a href=&quot;https://www.loc.gov/resource/plmp.m021/?sp=6&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Anthology of Persian Poetry in Oblong Format (Safīna).&lt;/i&gt; 905 AH (1499–1500 CE). Manuscript compiled by Sultan Muḥammad Nūr&lt;br /&gt;
&lt;a href=&quot;https://www.meisterdrucke.ie/fine-art-prints/Sultan-Muhammad-Nur/1154061/Anthology-of-Persian-Poetry-in-Oblong-Format-Safina,-dated-A.H.-905A.D.-1499-1500.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Jāmī. &lt;i&gt;The Five Treasures (Panj Ganj).&lt;/i&gt; Manuscript folio (recto). 1520–1607.&lt;br /&gt;
&lt;a href=&quot;https://www.meisterdrucke.ie/fine-art-prints/Mushfiq/1190822/Folio-B:-Folio-from-the-Five-Treasures-Panj-Ganj-of-Jami-recto.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;



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                                            <image:caption>&lt;i&gt;Hakim Mosque, Isfahan (calligraphic pattern).&lt;/i&gt; 1073 AH (1662–63 CE). Safavid period. Isfahan, Iran.&lt;br /&gt;



&lt;a href=&quot;https://patterninislamicart.com/s/collections/main-archive/monument/al-hakim-mosque?page=2&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;The Minaret of the Friday Mosque, Saveh, Iran.&lt;/i&gt; 1110 CE. Photograph by P. and J. Grimshaw. &lt;i&gt;Brewminate&lt;/i&gt;.&lt;br /&gt;
&lt;a href=&quot;https://brewminate.com/the-style-and-regional-differences-of-seljuk-persian-minarets/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Sahba, Houshang. &lt;i&gt;The Glass Human&lt;/i&gt;. Fall 1970.&lt;br /&gt;&lt;a href=&quot;https://www.scribd.com/document/160953196/%D8%A7%D9%86%D8%B3%D8%A7%D9%86-%D8%B4%DB%8C%D8%B4%D9%87-%D8%A7%DB%8C-%D8%B4%D8%B9%D8%B1-%D9%87%D9%88%D8%B4%D9%86%DA%AF-%D8%B5%D9%87%D8%A8%D8%A7&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;
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                                            <image:caption>Tabatabaie, Zhazeh. &lt;i&gt;Readable Poems&lt;/i&gt;. 1953–54. &lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Jazeh_Tabatabai&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>al-Rāzī, Shams al-Dīn Muḥammad ibn Qays. &lt;i&gt;Al-Muʿjam fī Maʿāyīr Ashʿār al-ʿAjam&lt;/i&gt;. 1327 AH (1909 CE).&lt;br /&gt;







&lt;a href=&quot;https://archive.org/details/Al-MojamFiMaaaeeriAshaarIl-Ajam-ShamsuddinMuhammadBinQaisAr-RaziFarsi/Al-mujamFiMaayiriAsharilajam/page/n1/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>al-Rāzī, Shams al-Dīn Muḥammad ibn Qays. &lt;i&gt;Al-Muʿjam fī Maʿāyīr Ashʿār al-ʿAjam&lt;/i&gt;. 1327 AH (1909 CE).&lt;br /&gt;







&lt;a href=&quot;https://archive.org/details/Al-MojamFiMaaaeeriAshaarIl-Ajam-ShamsuddinMuhammadBinQaisAr-RaziFarsi/Al-mujamFiMaayiriAsharilajam/page/n1/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>al-Rāzī, Shams al-Dīn Muḥammad ibn Qays. &lt;i&gt;Al-Muʿjam fī Maʿāyīr Ashʿār al-ʿAjam&lt;/i&gt;. 1327 AH (1909 CE).&lt;br /&gt;







&lt;a href=&quot;https://archive.org/details/Al-MojamFiMaaaeeriAshaarIl-Ajam-ShamsuddinMuhammadBinQaisAr-RaziFarsi/Al-mujamFiMaayiriAsharilajam/page/n1/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rückert, Friedrich. &lt;i&gt;Grammatik, Poetik und Rhetorik der Perser: Nach dem siebenten Bande des Heft Ḱolzum&lt;/i&gt;. 1966.&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133,&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rückert, Friedrich. &lt;i&gt;Grammatik, Poetik und Rhetorik der Perser: Nach dem siebenten Bande des Heft Ḱolzum&lt;/i&gt;. 1966.&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133,&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;&lt;/a&gt;</image:caption>
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                                            <image:caption>Rückert, Friedrich. &lt;i&gt;Grammatik, Poetik und Rhetorik der Perser: Nach dem siebenten Bande des Heft Ḱolzum&lt;/i&gt;. 1966.&lt;br /&gt;
&lt;a href=&quot;https://www.digitale-sammlungen.de/de/view/bsb11185841?page=133,&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Salim, Seyyed Mohammad. &lt;i&gt;History of Script (تاریخ خط و خطاطین)&lt;/i&gt;. 1348 SH (1969 CE).&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n171/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Salim, Seyyed Mohammad. &lt;i&gt;History of Script (تاریخ خط و خطاطین)&lt;/i&gt;. 1348 SH (1969 CE).&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n252/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Salim, Seyyed Mohammad. &lt;i&gt;History of Script (تاریخ خط و خطاطین)&lt;/i&gt;. 1348 SH (1969 CE).&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;








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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;








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                                            <image:caption>Suhrawardī, Shihāb al-Dīn Yaḥyā ibn Habash. &lt;i&gt;Hikmat al-Ishrāq&lt;/i&gt;. Copied by Shams bin Jamal al-Hatani, post-Seljuq Iran, 13 Oct. 1220. Manuscript.
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                                            <image:caption>&lt;i&gt;Letter in Taʿlīq Script&lt;/i&gt;. Calligraphed by Darvish ʿAbdullah Munshi. 911 AH (1505–06 CE). Ink on paper. Metropolitan Museum of Art, New York.&lt;br /&gt;
&lt;a href=&quot;https://www.alamy.com/letter-in-taliq-script-calligrapher-darvish-abdullah-munshi-dimensions-h-102-in-26-cm-x-w-71-in-18-cm-date-ah-911ad-1505-6-museum-metropolitan-museum-of-art-new-york-usa-image213248301.html?imageid=A5CFCCAD-FEB5-41CB-966D-91DCF9FBF14B&amp;pn=1&amp;searchId=7f69f29da6cfc4217c24128eedeb6050&amp;searchtype=0&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Esfahani, Mirza Gholamreza. &lt;i&gt;Siyāh Mashq (Calligraphic Exercise)&lt;/i&gt;. Qajar period, 19th century. Ink on paper. Iran.&lt;br /&gt;
&lt;a href=&quot;https://commons.wikimedia.org/wiki/Creator:Mirza_Gholamreza_Esfahani&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Seifi Qazvini, Mirza Mohammad Hussein (Emad al-Kottab). &lt;i&gt;Siyah Mashq (نستعلیق سیاه‌مشق)&lt;/i&gt;. 1336 AH (1918 CE). Calligraphy Museum of Iran&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Emad_al-Kottab&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Suhrawardī, Shihāb al-Dīn Yaḥyā. &lt;i&gt;Aql-e Sorkh (The Red Intellect): Philosophy and Theology, Texts and Studies&lt;/i&gt;. Translated and edited by Reza Kouhkan, 1 Jan. 2011.&lt;br /&gt;
&lt;a href=&quot;https://www.scribd.com/document/488279350/Suhrawardi-Allegories-and-Mystical-Treatsies&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Suhrawardī, Shihāb al-Dīn Yaḥyā. &lt;i&gt;Aql-e Sorkh (The Red Intellect): Philosophy and Theology, Texts and Studies&lt;/i&gt;. Translated and edited by Reza Kouhkan, 1 Jan. 2011.&lt;br /&gt;
&lt;a href=&quot;https://www.scribd.com/document/488279350/Suhrawardi-Allegories-and-Mystical-Treatsies&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;
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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, 1 Jan. 2025.&lt;br /&gt;
&lt;a href=&quot;https://text.plain-form.com/en/plaintext&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;i&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, Jan. 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, Jan. 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;Plain Text&lt;/i&gt;. Magazine. Plain Form, 1 July 2025&lt;br /&gt;
&lt;a href=&quot;https://shop.plain-form.com/en/shop/plain-text-2&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Rogoff, Irit. “Becoming Research.” Lecture/essay, 2017.&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?v=5WZR5o-5Oy8&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Horkheimer, Max. &lt;i&gt;Critical Theory: Selected Essays&lt;/i&gt;. A&amp;#x26;C Black, 1972.&lt;br /&gt;
&lt;a href=&quot;https://monoskop.org/images/7/74/Horkheimer_Max_Critical_Theory_Selected_Essays_2002.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Adorno, Theodor W. “The Essay as Form.” 1984.&lt;br /&gt;
&lt;a href=&quot;https://commons.princeton.edu/hum583-f24/wp-content/uploads/sites/420/2024/10/Adorno_EssayAsForm-copy.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Adorno, Theodor W. &lt;i&gt;Noten zur Literatur&lt;/i&gt;. 1958.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/notenzurliteratu0000ador/mode/thumb&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rogoff, Irit. “Becoming Research.” Lecture/essay, 2017.&lt;br /&gt;
&lt;a href=&quot;https://www.youtube.com/watch?v=5WZR5o-5Oy8&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Le Guin, Ursula K. “The Carrier Bag Theory of Fiction.” 1986.&lt;br /&gt;
&lt;a href=&quot;https://monoskop.org/images/9/96/Le_Guin_Ursula_K_1986_1989_The_Carrier_Bag_Theory_of_Fiction.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Le Guin, Ursula K. “The Carrier Bag Theory of Fiction.” 1986.&lt;br /&gt;
&lt;a href=&quot;https://monoskop.org/images/9/96/Le_Guin_Ursula_K_1986_1989_The_Carrier_Bag_Theory_of_Fiction.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Bicât, André. &lt;i&gt;Night Meeting&lt;/i&gt;. 1965.&lt;br /&gt;
&lt;a href=&quot;https://www.tate.org.uk/art/artworks/bicat-night-meeting-p11762&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Rasula, Jed, and Steve McCaffery, editors. &lt;i&gt;Imagining Language: An Anthology&lt;/i&gt;. MIT Press, 2000.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/imagininglanguag0000unse/page/n6/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Bellini, Andrea, and Sarah Lombardi. &lt;i&gt;Writing by Drawing: When Language Seeks Its Other&lt;/i&gt;. Nov. 2020.&lt;br /&gt;
&lt;a href=&quot;https://san-serriffe.com/product/writing-by-drawing/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Taussig, Michael. &lt;i&gt;Mastery of Non-Mastery in the Age of Meltdown&lt;/i&gt;. University of Chicago Press, 2020.&lt;br /&gt;
&lt;a href=&quot;https://press.uchicago.edu/ucp/books/book/chicago/M/bo46980359.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Revue Faire&lt;/i&gt;, no. 43, Thierry Chancogne, Éditions Empire, 25 Jan. 2023.&lt;br /&gt;



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                                            <image:caption>Cocker, Emma. &lt;i&gt;Tactics for Not Knowing: Preparing for the Unexpected&lt;/i&gt;. Live Art Development Agency, 2013.&lt;br /&gt;
&lt;a href=&quot;https://tallertrustme.wordpress.com/wp-content/uploads/2015/08/on-not-knowing.pdf&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Y2741238982953385735970015046801/Karl-Nawrot.jpg</image:loc>
                                            <image:caption>Nawrot, Karl. &lt;i&gt;Mind Walks&lt;/i&gt;. Rollo Press, 2016.&lt;br /&gt;
&lt;a href=&quot;https://rollo-press.com/#mind-walks&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Taussig, Michael. &lt;i&gt;Mastery of Non-Mastery in the Age of Meltdown&lt;/i&gt;. University of Chicago Press, 2020.&lt;br /&gt;
&lt;a href=&quot;https://press.uchicago.edu/ucp/books/book/chicago/M/bo46980359.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2741249736704204433837644213393/IMG_7799.JPG</image:loc>
                                            <image:caption>Hakkens, José. &lt;i&gt;Zoon&lt;/i&gt;. Typographic translation of &lt;i&gt;L’Enfant de sable&lt;/i&gt; by Tahar Ben Jelloun. Gerrit Rietveld Academie, 1995.&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/The_Sand_Child&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2750503938932003553008936447121/krzysztof-penderecki-polymorphia1.jpg</image:loc>
                                            <image:caption>Penderecki, Krzysztof. &lt;i&gt;Polymorphia&lt;/i&gt;. 1961. Page from the musical score (graphic notation).&lt;br /&gt;

&lt;a href=&quot;https://www.smithsonianmag.com/arts-culture/5-12-examples-of-experimental-music-notation-92223646/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Dotremont, Christian. &lt;i&gt;Envie de ne plus écrire…&lt;/i&gt;. 1975. Visual poem / logogram.&lt;br /&gt;
&lt;a href=&quot;https://www.artnet.fr/artistes/christian-dotremont/envie-de-ne-plus-%C3%A9crire-0KrESNwC_EDZAuJYJTtRGw2&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;wwwwwwwww.jodi.org&lt;/i&gt;. &lt;i&gt;REBOOT: Pioneering Digital Art&lt;/i&gt;, 7 Oct. 2023–12 May 2024, exhibition installation.&lt;br /&gt;
&lt;a href=&quot;https://wwwwwwwww.jodi.org/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Strauss, Carolyn F. &lt;i&gt;Slow Technology Reader&lt;/i&gt;. Valiz, Oct. 2025.&lt;br /&gt;
&lt;a href=&quot;https://valiz.nl/en/publications/slow-technology-reader&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Vis, Dirk. Research For People Who (Think They) Would Rather Create. Version 1.1.3, Onomatopee, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Vis, Dirk. Research For People Who (Think They) Would Rather Create. Version 1.1.3, Onomatopee, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>Vis, Dirk. Research For People Who (Think They) Would Rather Create. Version 1.1.3, Onomatopee, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.onomatopee.net/exhibition/research-for-people-who-think-they-would-rather-create/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/Z2757178001928401712615651962001/--3-10365.jpg</image:loc>
                                            <image:caption>Tabatabaei, Zhazeh. &lt;i&gt;Ajagh-Vajagh: She‘r Bar Bāteleh&lt;/i&gt; (کتاب اجق‌وجق، شعر بر باطله). 1355 SH (1976–77 CE).&lt;br /&gt;
&lt;a href=&quot;https://en.wikipedia.org/wiki/Jazeh_Tabatabai&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/T2758375744962823977585977486481/P24-An-early-fourth-century-fragment-containing-Rev-5-5-8-on-one-side-and-6-5-8-on-the-reverse.jpg</image:loc>
                                            <image:caption>&lt;i&gt;The Text of Revelation (Papyrus 24/P24).&lt;/i&gt; Early 4th century. Greek manuscript fragment.&lt;br /&gt;
&lt;a href=&quot;https://revelationpupil.wordpress.com/2016/11/24/the-text-of-revelation/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Situationist International. “Critique of the Political Practice of Détournement.” &lt;i&gt;Stedelijk Museum Amsterdam&lt;/i&gt;, 2019.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2758379518521025415980403813521/Situationist_JdJ_Medium_779px3.jpg</image:loc>
                                            <image:caption>Situationist International. “Critique of the Political Practice of Détournement.” &lt;i&gt;Stedelijk Museum Amsterdam&lt;/i&gt;, 2019.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2768912816359582076974308945041/Screenshot-2026-01-29-at-08.17.01.png</image:loc>
                                            <image:caption>Cixous, Hélène. &lt;i&gt;Coming to Writing and Other Essays&lt;/i&gt;. Harvard University Press, 1991.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/comingtowritingo0000cixo/mode/2up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://strugglingwriting.omidnemalhabib.com/prc</loc>
            
            
            <lastmod>2026-01-29T07:25:34+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2572061312464579285423640477991/horizontal.svg</image:loc>
                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Parsad, Munshi Devi. &lt;i&gt;Arzang-e Cheen (ارژنگ چین)&lt;/i&gt;. Raja Ram Kumaar Press, 1952. Reprint of the 1867 edition. &lt;i&gt;Rekhta&lt;/i&gt;, contributed by Ghalib Academy, Delhi.&lt;br /&gt;&lt;a href=&quot;https://archive.org/details/20231030_20231030_1943/page/n215/mode/1up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;








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                    <image:loc>https://freight.cargo.site/t/original/i/M2733893319347360730769740426385/IMG_4127.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2733915233027855885515615792273/IMG_6283.MOV</image:loc>
                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/U2741237766759548956299277003921/IMG_7819.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2741237973233955373330288241809/IMG_7812.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2741238127633203270279235267729/IMG_7821.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2741238346577608681137903398033/IMG_7824.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2741238400036273006748183981201/IMG_7825.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2741238716139679453835060472977/IMG_7827.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2741238771184763769784362495121/IMG_7828.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2741238909295536649647775444113/IMG_7829.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2741246812821481774578874870929/IMG_6284.MOV</image:loc>
                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;














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                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2751954445636297235759009262737/IMG_7848.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2751957779147418795812081790097/IMG_7859.MOV</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2751959730628474353545547246737/IMG_6293.JPG</image:loc>
                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/C2751965241427245677610706562193/IMG_4160.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2755622286986295238494370032785/IMG_7869.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2757269128585871420768701279377/IMG_7856.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2758369812914204986289497468049/note01.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2758372372787326839037684771985/note2.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2758372526319577764522282871953/note3.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2758381351758451461235643411601/WhatsApp-Image-2026-01-16-at-17.57.30-1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/B2758645378143257314603258506385/scan_3416542kabk.nl_2026-01-22-17-58-32_10.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/N2758650334746496432212358622353/scan_3416542kabk.nl_2026-01-22-17-58-32_4.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2759501252078533354070067539089/scan_3416542kabk.nl_2026-01-23-10-06-44.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2768899168111704029267226160273/IMG_7906.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/A2768899290745658631288325303441/IMG_7908.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/L2768899632692953525642283609233/IMG_7902.MOV</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2768902142981227308259196169361/scan_3416542kabk.nl_2026-01-26-17-10-39_3-1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/H2768903343015716279360366996625/scan_3416542kabk.nl_2026-01-26-18-34-12_12-1.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/R2768910499337845954612368665745/Screenshot-2026-01-29-at-08.09.47.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/D2768910589321063546167561448593/Screenshot-2026-01-29-at-08.10.39.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/H2768910746026154452330202426513/Screenshot-2026-01-29-at-08.11.17.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                    <image:loc>https://freight.cargo.site/t/original/i/T2768910973031787023399944613009/Screenshot-2026-01-29-at-08.09.53.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2768912816359582076974308945041/Screenshot-2026-01-29-at-08.17.01.png</image:loc>
                                            <image:caption>Cixous, Hélène. &lt;i&gt;Coming to Writing and Other Essays&lt;/i&gt;. Harvard University Press, 1991.&lt;br /&gt;
&lt;a href=&quot;https://archive.org/details/comingtowritingo0000cixo/mode/2up&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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        </url>
            <url>
                        <loc>https://strugglingwriting.omidnemalhabib.com/out</loc>
            
            
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                    <image:loc>https://freight.cargo.site/t/original/i/O2572061312464579285423640477991/horizontal.svg</image:loc>
                                            <image:caption>Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.



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&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;</image:caption>
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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                                            <image:caption>3Nemalhabib, Omid. &lt;i&gt;In the Shadow of the Red Intellect&lt;/i&gt;. Royal Academy of Art, The Hague (KABK), 2025.&lt;br /&gt;
&lt;a href=&quot;https://omidnemalhabib.github.io/The-Red-Intellect/index.html&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                                            <image:caption>Nemalhabib, Omid. Typographic Narratives Workshop.Studio Melli, Tehran and The Hague, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DIoz_oZtxRb/&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/G2733455325611458722173550226577/Workshop-001.jpg</image:loc>
                                            <image:caption>&lt;i&gt;If the Birds Understand Each Other’s Languages&lt;/i&gt;. Experimental type workshop, Gerrit Rietveld Academie, Amsterdam, The Netherlands, 2025.&lt;br /&gt;
&lt;a href=&quot;https://www.instagram.com/p/DOV28QcjI3_/?img_index=1&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;



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                    <image:loc>https://freight.cargo.site/t/original/i/B2741238246430235104968747674769/IMG_7823.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2741238346577608681137903398033/IMG_7824.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2741238400036273006748183981201/IMG_7825.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/X2741238483101961570662294908049/IMG_7826.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/P2741238716139679453835060472977/IMG_7827.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2741238771184763769784362495121/IMG_7828.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2741238909295536649647775444113/IMG_7829.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2741247547131023116734996049041/IMG_4233.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2741249016285061379184815402129/IMG_4026.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2751961603803101318381966093457/IMG_4012.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2751963263788707023357096914065/IMG_4030.JPG</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2758369812914204986289497468049/note01.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2758372372787326839037684771985/note2.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2758372526319577764522282871953/note3.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2758645378143257314603258506385/scan_3416542kabk.nl_2026-01-22-17-58-32_10.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2758648593576770058841491139729/scan_3416542kabk.nl_2026-01-22-17-58-32_7.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2758650334746496432212358622353/scan_3416542kabk.nl_2026-01-22-17-58-32_4.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2758672043907940041740435221649/scan_3416542kabk.nl_2026-01-22-17-55-59_2.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing&lt;/i&gt;. Workshop, Royal Academy of Art (KABK), The Hague, The Netherlands, 2024.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2768910499337845954612368665745/Screenshot-2026-01-29-at-08.09.47.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2768910589321063546167561448593/Screenshot-2026-01-29-at-08.10.39.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;&lt;br /&gt;




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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2768910973031787023399944613009/Screenshot-2026-01-29-at-08.09.53.png</image:loc>
                                            <image:caption>&lt;i&gt;Struggling Writing Process and Prototyping&lt;/i&gt;. Research documentation, 2026.&lt;br /&gt;
&lt;a href=&quot;https://vimeo.com/1156894726?share=copy&amp;fl=sv&amp;fe=ci&quot; style=&quot;color: rgba(0, 0, 0, 0.4);&quot; target=&quot;_blank&quot;&gt;SRC&lt;/a&gt;</image:caption>
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        </url>
    
</urlset>
